Bigmouth Chorus Performance Dates!

There’s a lot of things to love about learning to sing in a choir. Of course, there’s the sense of community. Obviously, you learn to sing, and sure, you get time with a teacher who can offer constant feedback and support but one thing we don’t talk about enough is the setting of goals.

Goals are super important when learning any new talent. It’s a clear way of measuring progress but what do you consider a goal? For some, it’s nailing a certain song but for a lot of people, it’s performing live. Most of us who want to sing want to share that gift with others, but it’s probably a bit too much to travel around singing at individual people.

Fortunately, there is another way. As part of the yearly cycle of Bigmouth Chorus and en Choir, we get the opportunity to show off what we’ve learned at an annual concert. It’s a massive deal, a full-house of friends, family and public eager to hear the well-honed instrument the choir has become.

This year, Bigmouth Chorus and en Choir take the stage at a pair of gigs, offering mutual support to each other, with a catalogue of songs including Guns ‘N’ Roses, The Bangles, U2, Queen and Simon & Garfunkel.

Catch Bigmouth, with en Choir, on Friday 19th June at Queens Road Baptist Church in Broadstairs.

Then make your way to Whitstable on Saturday 20th June, St Alphege Church (opposite Whitstable Playhouse) for en Choir, with Bigmouth.

Facebook event for Broadstairs

Facebook event for Whitstable

Tickets are £8/£6 with children under 12 admitted free! Tickets are available in advance from We Got Tickets, from Three Graces gift shop (The Broadway, Broadstairs) and on the door, subject to availability.

Tickets for Broadstairs

Tickets for Whitstable

See you there!



Stormy Summer Singing

It has been inauspicious start to the summer season. We were thinking it would be all beach weather and barbecue but English Summer weather, true to form, has thrown us for a loop again. So while we’ve spent the last few weeks thinking about how the heat can effect your voice, perhaps its time for us to talk about how storms can change your tone? Continue reading “Stormy Summer Singing”

Is spicy food affecting your voice?

If you’re anything like me, the start of barbecue season also means food with a little kick. Summer just doesn’t seem right without a jalapeño or two, but is spicy food affecting your voice?
I’ve always heard about professional singers avoiding spice but it seems the issue is a little deeper than it might first appear.

It turns out there are pros and cons to spicy food, but hopefully we can break down the complexities for you. Continue reading “Is spicy food affecting your voice?”

Some Like it Hot – Singing in the Summer

Summer is definitely on the horizon, and with that comes the heat. While it may be great for relaxing by the beach, the heat can actually throw a spanner in the works when it comes to singing. Heat can dry your throat out, pollen counts are super high and we have plenty of opportunities to shout during the summer months. Of course, there’s plenty you can do to battle the heat and emerge in cooler seasons with your voice intact. Continue reading “Some Like it Hot – Singing in the Summer”

Singing during allergy season

The sun is out again, and for most people that’s a great thing. However, some of us have experiences with hayfever and allergies which can make it more difficult to sing. Allergies can play havoc with your breathing and tone, as swelling in your nose and throat interfere with the systems we usually draw upon to sing. It’s a lot like trying to sing with a cold. Continue reading “Singing during allergy season”

Undertone singing

A few weeks ago, we talked about overtone singing in preparation for a workshop with Lunatraktors, but while doing our research, we came across another fascinating extend vocal technique. While overtones are high ethereal notes that dance about an octave above the normal singing voice, undertones are their inverse.

Undertones are low, droning sounds that occur under the singer’s voice. These are normally produced through one of two methods. Firstly, we have the use of strohbass, also known as vocal fry, which you might remember from our article on the death growl. By slowing down the vibration of the vocal cords, the note produced becomes creakier, or fried, and produces the lowest register notes. Continue reading “Undertone singing”

Hitting the high notes – Falsetto

We know all about chest voice and head voice but have you heard of “disconnected head voice”, a higher register with a shrill, thinner tone than your usual head voice. This is falsetto, and it often covers the highest notes a person can reach (outside of whistle register at least).

The falsetto voice uses only the thin, leading edges of the vocal cords to generate sound, and although this means it uses less power, it also uses less breath support and can, in time, anecdotal evidence suggests it may cause damage to the throat. Continue reading “Hitting the high notes – Falsetto”

The wonderful world of overtone singing

Last week on this blog, we spoke about beatboxing. In particular, we were really impressed by the ability to make more than one noise at a time. Imagine if singers could do the same…

This practice is called overtone singing and not only is it an amazing skill, it’s becoming more talked about.

A talented singer is able to produce a two notes (or even more): firstly a low base or fundamental note is sung before a second, whistle-like note appears about two octaves above the base note. Continue reading “The wonderful world of overtone singing”

A rough guide to beatboxing

This week, we’re continuing our exploration of extended vocal techniques by looking at one of the most versatile, recognisable and easy to grasp techniques. Beatboxing is the vocal approximation of drum machines and is often tied into the world of hip-hop.

The earliest sounds we may recognise as beatboxing may come from early American rural music, such as eefing, also known as “hillbilly beatboxing”. There are also a collection of sounds in African traditional music that might also be at home in beatboxing, built upon the sounds of loud exhaling. Jazz scat singing also fits in to the forms history, though scat focused more on the approximation of words than the production of percussive sounds.

Vocal percussion appears in popular music such as Paul McCartney’s “That Would Be Something” and Pink Floyd’s “Pow R. Toch H.” Both of these songs were recorded in the late 60s, at a time when hip-hop was just starting to emerge. Continue reading “A rough guide to beatboxing”